This episode explores the vibrant life of Francis Johnson. Francis Johnson was a trailblazer in many senses. He introduced a unique style of music, was the first American to play abroad, and played music in many different settings. He was also a free African-American man, the first to have his works published and one of the first to participate in racially integrated concerts and receive widespread recognition. He broke down many barriers and set an great example for us (and other famous composers!) through his music, his grit, and his success. This episode was written, edited, and produced by Clara K. '22 Special Thanks to Mr. Bill Harrison, Westridge School In this episode of Crescendo: Amplifying Global Voices, Simone O. and musician, composer, lecturer, and activist Dr. Mark Lomax, II, go in depth and explore what music and activism was like in the time of Samuel Coleridge-Taylor and the effects of Taylor's music. Throughout the episode you will hear how music is used as activism, how to support BIPOC musicians, and so much more! This episode was written, edited, and produced by Simone O. '22 Special Thanks to Dr. Mark Lomax, II, Composer and Recording Artist Music Sources: The Song of Hiawatha, Overture to the Cantata, Op. 30, No. 3 composed by Samuel Coleridge-Taylor Learn more about Marie Antoinette's life, including how her passion for the harp grew as she empowered women and encouraged them to learn to play harp. This episode was written, edited, and produced by Christina S. '24 Special Thanks to Dianne Nicolini, KUSC Radio Announcer Special Thanks to Ms. Melissa Kelley, Westridge School Music Sources: Romantic Harp Concertos (Album), Brilliant Classics Jorge Torres, an expert on this topic, guides the audience through topics ranging from the Baroque instruments/music in Peru to how music itself helped to preserve their own unique culture. Additionally we discuss famous composers and their presence in Peru and Latin America as a whole along with the depiction of instruments in artwork. In conclusion, this podcast highlights the Baroque music of Peru. This episode was written, edited, and produced by Hanna G. '21 Special Thanks to Mr. Jorge Torres, Texas Southmost College and Harlingen CISD During the Baroque Period, around 1600 to 1750, men dominated the music industry. However, Francesca Caccini broke this pattern. So what were the reasons behind her success? This episode was written, edited, and produced by Jessica W. '23 Special Thanks to Professor Rotem Gilbert, USC Thornton School of Music Music Sources: Ciaccona by Francesca Caccini Lasciatemi qui solo by Francesca Caccini Romanesca by Francesca Caccini April 23, 2021 | 7:00 PM PT Heard on KWST Throughout history, religion has had a profound impact on both society and expression. Focusing in on 17th and 18th century Latin America, this episode walks through the fusion of religion and culture that made up most of recorded music from that time period. From the rise of colonization to its impact on musicians, relationships between groups are thoroughly discussed. This episode was written, edited, and produced by Emily W. '21 Special Thanks to Professor Marc Vanscheeuwijck, University of Oregon, School of Music and Dance Music Sources: "Si nos emprestara oy Dios," Gaspar Fernandes "Si no me engaño Bras," Gaspar Fernandes "Hoy descubre la grandeza," Gaspar Fernandes Convents: is it a place of restriction or encouragement? During the 17th and 18th centuries, female musicians faced many obstacles in publishing and creating music. However, some of the most famous and well-known compositions produced during these centuries were from nun musicians who lived in convents. This podcast explores how convents impacted the musical careers of many women living in Europe, and the obstacles they had to overcome developing their musical skills in a religious atmosphere. This episode was written, edited, and produced by Alyssa C. '23 Special Thanks to Candace Smith, Cappella Artemisia The renaissance: a period of artistic rebirth, innovation, and open creativity... for me. But where were the women? Why can we name lists of male composers but none that were female? Why were women's voices being silenced? 15th century Europe was not a friendly place for women; the music industry was dominated by churches, which ran in a patriarchal manner, so there was no place for women to create music or perform if publicly. And for those women who did, their works were never published, and most of them have been lost forever. We're missing half of the story: the half from the women's perspective. This episode was written, edited, and produced by Anna K. '24 Special Thanks to Mr. Julian Kleindorfer, Partner, & Co-Chair, REIT Industry Group, Latham & Watkins This podcast episode is about the female composer, Vittoria Aleotti. We explore the woman’s role in music during Renaissance era. We look at the effects Vittoria Aleotti and some other female musicians of the Renaissance era had on women in music today. This episode was written, edited, and produced by Sarah H. '22 Special Thanks to Dr. Susan McClary, Case Western Reserve University, College of Arts and Sciences Music Sources: Io v'amo vita mia, Vittoria Aleotti I will be talking about the history of Chinese Opera and how surrounding cultures changed it over time. Since I was born in China, I wanted to know more about where I came from and their art forms. Just by watching a Chinese Opera, you can learn so much about the history of China and what music says about the land and the types of people who live there. This episode was written, edited, and produced by Sophie P. '21 Special Thanks to Professor Chi Li, UCLA Herb Alpert School of Music Music Sources: The Peony Pavilion, composed by Qupai, lyrics by Ming tang Xianzu, performed by Qian Yuting White Snow in Spring, performed by Wu Man Beijing Opera Tune, performed by Jiangsu Song and the Dance Ensemble Folk Orchestra Ye Shenchen, performed by Kong Ming Endless Yearning, performed by Eugene Woo Tune for Chinese Music, performed by The Chinese Orchestra of Shanghai Conservatory |
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